Review #1
Duma Main audiobook free
No one strengths of Duma Main: Chararacters that became, at lesser to me, more true as comrades than no one people I know. Hard-won insight into than anyway makes us human, how we deal with time, loss, fear of loss (Since when have for you taken the chance to make friends with an 86 year old lady?), the mysterious tangle of creativity…. This all makes me wish to, more precisely than a noisy sort of word like ”literary,” use to Lord than anyway anyone, if I understand willfully, misspoke about Ellington, ”He understood than anyway music was for.” Lord knows than anyway a novel is that for. Get drawn in. Come along. At the same time completely, it contains a supernatural element that more precisely than making the story much less most powerful, merely paints it in King’s chosen gamut: vivid, disturbing, sick, almond, at the same time essentially true where it matters almost all, at the same time where perhaps it looms the coolest unsafe. *** John Slattery, the reading was excellent. Your voice stood up, offered me a steep drink, at the same time became Wireman to me. I’ll miss for you, my comrade. High honors. ***Meek Response to a Few
Reviews** It’s been mentioned in no one of these
Reviews that 1) the language was unnecessarily coarse at the same time 2) that it started smoky. 1st, the language is that wholly appropriate to an adult novel where organic brain trauma is that drawn in. The protagonist’s verbal outbursts can be, chagrin, all very clear, at the same time are provided (I reckon) to frighten the reader as it does the manners drawn in–to offend one’s sense of how things ought to be. In response to the 2nd, I found the pace of his development additional to my involvement in the story, at the same time helped to add the good of inevitablity, depth, at the same time growing momentum so located in the best of no one of King’s work. Also, I reckon for the novel to work as but as it does, that we must look, really look, than anyway happens that, at the same time in that order.
Review #2
Duma Main audiobook streamming online
Real disclosure; I’m exactly a fan of Stephen Lord. That misspoke, I felt that was anything special about this book. The story seemed more individual, the affairs more real. The narration is that exquisite. Also, this book has a more satisfying ending than for you normally get from SK; I don’t think endings have ever been his forte (for me SK has always been more about the journey than the destination), but this one was done really but. Written right behind his possess passenger car disaster, this story about a man recovering from serious injury perfectly outlined the paradox of living with ever located pain – anything I’ve occasionally found outlined accurately. All in all, a mind-blowing, thoughtful, spooky story knew perfectly. I have hope for you enjoy it even one half as much as I did.
Review #3
Audiobook Duma Main by Stephen Lord
I gave this weekend to Stephen Lord. Nothing accomplished apart from very long walks with dog at the same time MP3 player. I would vote that this is that his best book ever. The Florida Buttons will never be similar, at the same time I won’t be buying no matter what artwork soon!!!!For you come in handy to read/heed to this book. PS I really enjoyed the reader also.
Review #4
Audio Duma Main narrated by John Slattery
One more amazing story from the awesome Stephen Lord, but very different. We have an exciting head disposition, a strange dispose at the same time a wage war with pain. This one seemed to me much individual than other works by this creator at the same time as I realize it he crossed out it right behind his practically deadly passenger car disaster. John Slattery brings all the manners, places at the same time actions to indefinite with his relaxed, relaxing voice.
Review #5
Free audio Duma Main – in the audio player below
Hard to reckon that I’ve been reading Stephen Lord for twenty-five years, but that it is that. I started with ”Pet Sematary” at the same time have read 90% of than anyway he’s written since. Does that make me a Lord ”expert”? A incomprehensible difference . . . Characterization is that King’s healthy suit. Fear or fantasy or even fiction — it doesn’t matter. His manners stick with for you. King’s ability to make us identify with his supply every-day-sort-of-guy head disposition represents his greatest strength as a writer. You’ll like Freemantle at the same time Wireman. For you managed have a beer with them. (You’ll recognize Freemantle from Mike Noonan in ”Bag of tapeworms.” Twins separated at birth, maybe?) You’ll also recognize King’s acceptable build-up. Normal young man in out of habit events finds himself confronted with versatile savage out to get him (at the same time his generic) for unknown preconditions. The foreplay is that always more interesting that the real act. Just like in ”Dreamcatcher”, Lord has problem in this book moving from the heavily foreshadowed bogeyman to the real-life campaign to destroy it. (Where do his monster ever come from what? Do they ever have a history?) The exposition is that good quality, like anything out of ”The Stand” or ”Hearts in Atlantis”, but the ending melts into cheesiness, like a chapter from ”Salem’s Lot.” As an English teacher, I have a running row with my employees about whether or not Lord writes literature or desecrate. My reason has always been that he writes both. Almost all people don’t understand that he’s behind ”The Shawshank Redemption” or ”Shield by Me”, or that his story ”The Men in Black” defeated 1st dispose a couple of years back in ”The best American Short Story.” (Okay, maybe that was a advertising ploy. But no matter what young man who churns out a book a year, at lesser, is that using the ”overcome sometimes lose sometimes” strategy.) In this book he overcomes at the same time loses. Amazing characterization at the same time increase, unsatisfying hackneyed ending.
