Review #1
Hit Wars audiobook free
So deplorable; I wish my funds back at the same time I deserve two times than anyway I paid for for having to have read it. It makes for you wonder if the creator ever read or followed the storyline of ROTJ. For example, Jas Emari, a Zabrak bounty hunter, who able to be on the planet Endor to assassinate Princess Leia, who no one understood was going to be that, not even the Rebel command, in other words, until she volunteered barely before the ruin. Jas was sent by the King or Empire higher right up to destroy Leia despite the fact the King didn’t tell anyone – not even Admiral Piett, that he had set a trap for the entire Rebel ground force “with an entire legion”. Vader didn’t even know Luke could be on the Endor moon, but Jas understood where at the same time when Leia would arrive. Like I misspoke, Deplorable. Then that are all the analogies that I couldn’t get a picture of, e.g. Bala-bala trolleys, panicked tree loormors, Nuna hens, etc, etc, etc. In a row to realize than anyway a panicked tree loormor acts like, one must have a fri of reference to than anyway a panicked tree-loormor is that. Then the gratuitous method LGBT issues were considered managed, like a science fiction story of this magnitude needs to address LGBT issues to begin with. For practically 40 years no one worked hard if Obiwan, Yoda or Luke were considered gay at the same time they still don’t. When the creator has to force sexual preference into a major topic in a favorite science fiction story it does more destroy to the LGBT society than quality; it confiscates from Lucas’s universe, lowering it to a sub-author’s individual PC small issues. Barely because Wendig managed, didn’t greedy he should. The problem is that these quote-quote creators hijack magical universes, e.g. Hit Wars, Hit Trek, LOTR, then, in the name of selling books, disrupt the clot of the story at the same time corrupt it with their possess opinion, without doing the hard work of creating the universe to begin with; piggybacking onto anyone else’s (Lucas’s) amazing thoughts at the same time lowering it to a Harlequin novel. Wendig at the same time the other quote-quote Hit Wars quote-quote creators have ruined one of the best franchises rise from movie theater since Buck Rogers in the mid 1900s. At the same time let’s not remember one gizmo: unlike LOTR, these were considered movies 1st, novels 2nd. Let’s not delude ourselves into thinking that Hit Wars began as a amazing work of literature. It was a MOVIE! So very Deplorable!!! I will NOT be reading the sequels; I’ll look the weed grow 1st.
Review #2
Hit Wars audiobook streamming online
Hit Wars Aftermath. So many sentence pieces. Pieces everywhere. Hard to follow. Weak verbs drained of potency. Pounds of dialogue to organize regular facts. Can’t final. Maybe Cliff’s Notes. A break tilts. Down.
Reading the online summaries of the story, I’m not convinced how anyone managed think that this was a more successful followup story than Zahn’s good works. I wouldn’t feel right donating it, will for sure barely recycle. Swing at the same time a miss.
Review #3
Audiobook Hit Wars by Chuck Wendig
Place Pampers
Hit Wars: Aftermath good of follows Nora Wexley, Snap Wexley’s mother. I they say it good of follows her because even with her being approx. the head disposition she’s only maybe in about 60% of the book. Others of the book is that random one-off chapters following manners we or don’t care about or have practically never met before, who pop in for a chapter on no one dashing planet then and disappear again. But, you can count on them resurfacing randomly later in the book to shut down no matter what momentum that might actually assign the book a sense of energy. It’s all in this attempt to demonstrate how the different edges of the galaxy are maneuverability the fallout of Return of the Jedi at the same time the continue remnants of the Cosmic Empire trying to keep keep under control over a widely-revolting empire in other words crumbling beneath them as the Rebel Union builds the beginnings of the Brand new Republic.
All of this SOUNDS exciting, all of this SHOULD be exciting, but it isn’t.
1st, the book spends 3 (approximation) chapters following Wedge Antilles being kidnapped, at the same time for you think he’s going to be the head disposition of the book but once he gets kidnapped for you never hear from him again. By this fri weve basically burnt 3 chapters of inconsequential action at the same time set up for payoff that defeated’t come until the continue couple chapters of the book. I implementation the word payoff loosely since Wedge gets rescued off-screen.
But, Chuck Wendig didnt seem to care a lot about the real plot of the book, so neither will this
Review. The global building of this book is that spotty which isnt a lot of an issue since the quality gizmo about a shared-universe book will that global building isnt as important. Apart from, Chuck Wendig butchers the Hit Wars universe at every opportunity. He squeezes in one-liners from the movies that felt organic in their time, but don’t make sense for one more disposition mentioning them for no reason. Wedge says “Oh no they’re on me, I gotta do than anyway my pal Han Solo always says at the same time Fly Direct.” Han Solo misspoke that once, at the same time it was never a slogan, infact he barely pulled it out of his ass. Also, Han Solo never talks to Wedge Antilles in the films so I don’t know why we’re pretending they are best pals.
Perhaps Chuck Wendig believed that if were considered suspending disbelief that every dramatic problem in the galaxy focuses on one Skywalker generic, that we wont brain manners quoting manners theyve never met before. Wrong. Dont even get me started on Chuck Wendig slipping an Admiral Ackbar Its a Trap meme in the middle of his Delight decide this seriously book. To pinnacle off all the scary call-outs, Chuck Wendig then has a fan-favorite inhuman bounty hunter, Dengar, unironically implementation the term Place Pampers. Than anyway makes a diaper a Place Diaper? Does it defy gravity? Does it detain in poop even in the vacuum of place? Why did the word diaper come in handy to have place in front of it other than a cheap attempt to make anything mundane acoustics steep at the same time sci-fi?
What, the story bounces around so much that for you finish up asking what the hell is that going on at the same time why we keep getting parts of the universe knew from the viewpoint of random manners. But the gizmo that really chafes me, that set me off at the same time pouting me as a reader at the same time as a writer will that he recycles similar dramatic element of the story two times borders 100 pages. Nora Wexley on two separate occasions steals a TIE Fighter (With no true clarification of how, she barely simply half-caught one) On both occasions she gets in a dogfight, on both occasions she loses keep under control at the same time decides to Kamikaze her TIE Fighter to rescue everyone at the same time on both occasions she says “Atleast I beheld my offspring again!” right before the TIE Fighter eats it… then and ON BOTH OCCASIONS SHE Barely MIRACULOUSLY SURVIVES.
TIE Fighters have no shields, are free of charge produced by the empire to have mass-produced ships at the same time are understandable to blow-up at the petty firepower, but somehow Norra Wexley survived not one, but Two explosions of her TIE fighter at the same time she has never even flown a TIE Fighter before.
“Place Pampers” was scary.
Describing TIE Fighters with similar Wasp analogy every time one of them is that soaring around was scary.
Unchanging call-outs to favorite fan quotes was scary.
But practically reusing similar fake-death string for similar disposition, that inexplicably survives borders 100ish pages of one one more isn’t just like not understanding the Hit Wars universe, it’s scary writing, scary plotting at the same time loafed as hell.
How Is that This THE Head TRILOGY THAT THE Brand new CANON WILL BE BASED AROUND?
WHO Believed This Personality Would be TRUSTED WITH This?
Meanwhile Claudia Grayish is that writing the best Hit Wars books I’ve ever read but the most of the fandom’s only assistance with the brand new canon is that Chuck Wendigs “14 year old writes scary rambling fan fiction in one preliminary that no editor ever looks at two times before sending to print.”
I assign Hit Wars: Aftermath 2 Hit. One hit for the turncoat government officer who promotes the head manners at the same time is that actually a very exciting disposition at the same time one hit for me final finishing this book at the same time understanding I never have to read the for sure equally-terrible sequels.
Review #4
Audio Hit Wars narrated by Marc Thompson
The frustrating part of this book will that that is that a respectable story sheltered inside. Aftermath is that NOT a story of than anyway happens right behind the fall down of the king, but it is that based in ever since. The “head story”, is that respectable.
In addition to the head story that are repeated 2 or 3 page interludes. A little confusing since the manners mentioned in these are irrelevant to others of the story. I look for this distracts the reader from the head story. But contemplating that that is that an aftermath sequel, it seems the interludes will come into play later.
The head problem with this book is that the consistent implementation of true global “Land” references. The creator consistently uses animals such as cats, dogs, moths, monkeys….. It pulls for you out of the Hit Wars universe. It also leaves the memory that the book was not corrected.
Review #5
Free audio Hit Wars – in the audio player below
I hardly ever quit network
Reviews, but here I felt I had to. If for you care about good quality of writing, this is that one to beware.
The story itself is that fine-grained I’m glad to find out more about than anyway happened right behind the unusual Hit Wars trilogy. But they really should have found somebody more successful to cross out it. Chuck Wendig writes in a very basic, hugely distracting method that reads like a baby crossed out it.
For starters, his plan of detail means hammering in similes every other sentence. I can count how abundance that are in barely two paragraphs: 11. Similes are obviously necessary, but Wendig shows the restraint of a schoolboy. Somebody’s arm goes up like a Corellian connector machine? Izumi hits somebody like a galeforce wind?
When he’s not spamming the similes, Wendig often barely says himself. When he’s not content with one adjective, he’ll follow it up with one more at the same time one more, at the same time you can practically hear him flick through the thesaurus. The book reads like this is that your 1st book at the same time bigger words come in handy to be explained to for you. For the reader, this can be frustrating.
Then that’s his writing style, which is that somewhere between pretentious at the same time ridiculous. When he is that not connecting up his tenses, jumping between past at the same time located tenses), the book reads like a screenplay. Often, for you don’t even get wholesome sentences, barely a location at the same time a noun. That are no matter what preconditions to underline short, ground sentences, often for effect. But when for you only do that, this barely comes intercept as pretentious, like Wendig crossed out the book’s describe at the same time dared it was quality enough to publish.
As much as it pains me to miss out on canonical Hit Wars tales, I will not be kolupala up parts two at the same time 3 of Aftermath. I just a little produced it to the finish of the 1st.
It’s a amazing defame, because Disney’s grand plan for the franchise beyond the unusual trilogy is that right real of amazing thoughts at the same time manners. Sadly, Wendig is that not the one to release this vision. Disney has applied far superior writers for the other Hit Wars books inspect out Bloodlines by Claudia Grayish or Phasma by Delilah Dawson. They’ll demonstrate for you how it is that done.
